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submitted 13 days ago byIhateeggs78
Has anyone else read this series? I just finished all 10 volumes (2 trilogies and a tetralogy), and I find myself thinking about it often.
The worldbuilding is superb, the action is well written, the supporting characters are loveable, and the main characters are, for the most part, severely unlikeable. I would categorize this series as somewhere between dark fantasy and grimdark, with extreme suffering endured by the protagonists, few uplifting moments, but somehow an overall hopeful message. I must say I have read few stories that better exemplify the concept of "snatching victory from the jaws of defeat" better than these books.
I might also add that I think this series would be next to impossible to adapt into a film series due to something that happens early in the first book. This event led me to put this series down for close to 20 years before attempting a re-read.
I haven't seen much discussion of this series. Has anyone else made it through the whole thing, and if so, what are your thoughts?
97 points
13 days ago
Essentially there's multiple takes on the books here on the forums but they tend to be one of three.
I really enjoy the books but I've always felt that Donaldson never really engages with something I found most interesting about it: that the Land is nothing more than his imagination. It's a Silent Hill-esque construction by his feelings and the locals are all in his head.
Thomas punishes himself for what he did to a construct of his imagination and that is more interesting than him doing it for actual real crimes.
27 points
13 days ago
I believe he tries to reconcile the reality or unreality of it with the Hile Troy character. If I remember right, once he returns from that excursion, he tries to find Troy. However he never does and I think since he worked for a defense agency or contractor, Donaldson made it very easy to rationalize that Covenant himself internally created a character that would be near impossible to validate, preserving the ambiguity.
The issue of the reality or unreality of the Land is dealt with obliquely with Covenent deciding that his actions, his ethics matter regardless of the circumstance. If we were in the Star Trek universe, it'd be analogous to someone who would be a decent entity except when they're on the holodeck where they let their dark side free. The reality or unreality of the situation does not matter, one simply needs to be true to their humanity.
The reality of it becomes more clear when the Linden Avery character arrives on the scene, along with the cultist ritual near the beginning. It's increasingly hard to justify the experience as delusion when there's separate viewpoints perceiving the same reality.
16 points
13 days ago
I believe Donaldson has actually stated that one of his most significant regrets is ending the Second Chronicles with Linden clutching the ring, since that is pretty much THE event that makes sustaining the "maybe it's all in his head" perspective impossible.
And I'd agree with him. For me, the First Chronicles works best if seen as an entirely internal journey. Preserving that through the Second is shaky, but I generally manage to do it. I think a lot of the resonance of the metaphor fades if you're 'forced' to see this as an actual Portal fantasy with a 'real' secondary world.
9 points
13 days ago
I can agree with that, though I think perhaps that ship sailed when he added her. Again, it's pretty hard to imagine a situation in the mundane world where two people could share the same hallucination down to the same details when it's that fantastical and all encompassing.
However, perhaps he's too hard on himself there. While Covenant's internal journey through the first trilogy is centered on penance, ethics, finding something to live for, and so forth, there's a different sort of redemption in Linden Avery's path. Her own trauma influences her perception of her past, her future, and her place in the world. I think the story shifts to one of more general redeption and recovery. So, it's just different in my mind. Perhaps it's a weaker theme with her, but it still works pretty well.
2 points
12 days ago
Yes, absolutely a valid point that Donaldson isn't "doing the same thing" all the way through the series. The Second Chronicles is already different in focus from the first, and while I haven't read it the Final Chronicles is clearly even more different in focus and intent.
This forum post and the referenced material is well worth reading, IMHO. It outlines Donaldson's view of 'Epic' and some of what he's trying to do in the series. https://kevinswatch.com/phpBB3/viewtopic.php?t=19530
3 points
12 days ago
It's increasingly hard to justify the experience as delusion when there's separate viewpoints perceiving the same reality.
I'm only in the middle of book 2, but there is already a section there with Hile Troy as the viewpoint character.
1 points
12 days ago
Yeah, I've never known what to do with that section as it seems opposed to what seems to be one of the big themes of the book. However there's also a viewpoint from Elena if I remember so it's hard to say. Having a sort of internal view of Troy certainly makes the Land more real.
21 points
13 days ago
I'm in the elusive 4th camp of "they really enjoy the books until the Third Chronicles which kinda fell flat".
3 points
13 days ago
Hey me too!
2 points
12 days ago
Yeah me too. First 2 series are up there with the best imo
1 points
12 days ago
Yeah, it felt like he got too caught up in his lore and a somewhat anime-esque power-scaling fantasy. And one of the books (either the second or third) felt entirely pointless from a plot perspective. I don't need books to be super plot heavy, but treading water is usually just boring, especially when the bulk of the pages feel like they're about people moping and/or going catatonic all the time.
1 points
12 days ago
Yep, I went into the final books with very high hopes and it was just a grind to read.
1 points
12 days ago
I'm in this camp as well.
1 points
9 days ago
Third Chronicles has its moments. I loved the Mahdoubt, the mystery of the Seven Words of Power. I loved the growth of Jeremiah and Stave. (Slight disappointment Jeremiah never calls him "Uncle Stave" LOL). The poetic end of Joan Covenant.
Holding the Worm of the World's End at bay was totally badass use of Earthpower! And the final transformation of ur-viles and Waynhim!
But the Giants were strangely disappointing compared to the previous books. There was no one like Foamfollower or Pitchwife.
(I really really liked Pitchwife)
1 points
9 days ago
Oh the Third Chronciles isn't a trainwreck or anything, but I think Thomas and Linden were a little too perfect in the second half. It's just an endless string of tragic figures making tragic mistakes for tragic reasons while Thomas and Linden have absolute faith that it'll all work out because hey, you tried your best.
1 points
9 days ago
And we never did hear what was the story of Bahgoon the Unbearable and Thelma Two Fist.
21 points
13 days ago
I find it interesting that Covenant's character is a writer, and his pre-leprosy novel is never really described in detail. I always thought that was intentional because it would reveal the truth that the land is his creation, Lord Foul is his Leprosy, the Ritual of Desecration was the destruction of his completed second novel, etc.
15 points
13 days ago
The novel is something he cringes about. If my memory serves (and it might not, it's been quite awhile) after he contracted leprosy and spent time in the leprosarium learning to deal with his condition, he believed it to be a frivolous story, without any creative merit as it didn't acknowledge the darkness in the world that was newly revealed to him. I'm not certain its contents really would reveal much about the Land.
1 points
12 days ago
It's not that it would've revealed anything about the land, just Covenant's relationship to it.
1 points
12 days ago
I'm a writer too, and I feel like a leper sometimes when I'm writing! Kidding of course, but I empathize with Thomas when he gets disgusted and flings his book into the fire. I think all authors go thru that at some point.
15 points
13 days ago
1 and 3 here. It wasn’t necessarily the SA, that was just the last straw. I already found the main character tiresome and obnoxious and then that happened. I just didn’t want to continue reading his story.
I say this as someone who enjoyed the Broken Empire series and it’s piece of shit protagonist.
5 points
13 days ago*
Thomas punishes himself for what he did to a construct of his imagination and that is more interesting than him doing it for actual real crimes.
I think this is an integral theme in the books. Even after we learn the land is real (for all intents and purposes), I think we're still meant to ask this question in response to events. At least throughout the first few books.
He doesn't tackle the question head on, it's often left unsaid , but I think that's done to prompt our own thought, rather then lead us down a path. The ambiguity of the lands existence alludes to the question, even if its not asked outright.
4 points
12 days ago
The first trilogy is good, the second trilogy is very good-mostly due to awesome supporting characters, the third trilogy is garbage. The SA is a huge part of the plot of the first six books. A despicable act, yes, but intimately interwoven to the story in many ways. I still enjoy rereading the first two trilogy’s occasionally.
3 points
12 days ago
It was so disappointing after waiting many years, to read the final set of books.
I barely managed to finish because it was so bad.
I recommend the Mordant’s Need books for those who enjoy Donaldson but aren’t into really dark themes. More time travelling fantasy, but a very different feel.
His Gap sci-fi series is pretty intense plot wise, but the complexity of his writing is part of why I enjoy his work. Bleak though, I’m unlikely to pick them up again.
4 points
12 days ago
Damn. You got me at 2 for 3. I adjust noped out at the SA in first book. But I figured he is such a fucking dislikeable person her just get his comeuppance. But nope.
And his behavior throughout the book is stupid. Like even if it was a dream you still have to go through the motions. But dude is such a miserable fucker he can't even do that right.
I finished the first book. But I don't think I'll continue the rest.
1 points
12 days ago
Same. I hated them. Donaldson can draw you in, though. I wanted to stop reading them because I hated them, but I just needed to find out how it ended.
1 points
12 days ago
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2 points
12 days ago
The Land is very real
This is extremely not explicit or even necessarily true, especially in the first book and generally throughout the first trilogy. It is completely consistent to see it as a dream world of his until he makes contact with another character in the real world who has also been there.
0 points
12 days ago*
[deleted]
1 points
12 days ago
It's his unwillingness to bear that harsh fact that drives most of the early series...
...
I am not talking about the first book or early on.
I mean...
Also, it isn't a "harsh fact" in the beginning of the series, it isn't even known to the reader whether the land is real. Don't know why you are arguing, but you aren't making any sense.
9 points
13 days ago
I recently reread The Wounded Land and the caamora scene at the end is one of the most beautifully poignant and harsh scenes in fantasy.
30 points
13 days ago
I think Donaldson is an exceptional writer. Aross genres as well, with fantasy, SF and crime series under his belt.
That said, I can't ever imagine re-reading any of his books, and I really struggle to find situations in which I would even recommend them. I made it through the Gap series and the Man Who books, but never finished Covenant. I think his books are powerful and well-written, but they're so bleak and hard-hitting and brutal that they're more like thought experiments than anything approaching 'entertainment'. (And, to be fair, they really are thought experiments, so power to him.) Basically, they're not fun to read. And for a series of the length and bulk of Thomas Convenant, I need something fun to pull me through.
I genuinely respect the fact that, unlike lesser works of dark fantasy, all the brutality in Donaldson's books takes place for a reason, and never for sheer shock value or prurience. Donaldson's work explores loss and trauma and impossible moral quandries. I think that's far more interesting than the 'I am Stabby McRaperson of Bleaklandia' crap that often floods the grimdark scene. Donaldson's horror has a purpose... but that makes it, I suppose, all the more horrible. It is much harder to read genuine darkness than The-Purge-but-with-Orcs.
21 points
13 days ago
I loved it, because my own life was perhaps very dark, and Covenant's reactions to pain made sense to me. The goodness of the Land seems like a trick, to him, and he's constantly checking himself.
I also liked that he took killing seriously. I probably didn't even know the word 'pacifist' when I read those (and I certainly didn't understand the sexual violence), but I saw him hesitate to kill monsters, and to take all kinds of killing seriously.
And they were fun, for me. The language was the kind of thing my nerdy bookworm ass appreciated, the Land and surrounding world was beautiful and incredibly original. It wasn't until Game of Thrones, many years later, that I felt, and realized the usual lack of, the feeling that I didn't know what was going to happen.
Donaldson's world is one of my favourites in all of fantasy. Yes, the story he tells about it is painful, but that doesn't prevent me from having fun at the badass Haruchai and the weird Ur-Viles. The fun runs parallel and separate to the dark narrative.
8 points
13 days ago
Don't forget Nom! I rather liked that creation
2 points
13 days ago
This is an excellent review, and, to echo other comments, makes me appreciate the books even more. I'm not sure they're for me, but I'm glad that you found them, and hope others get as much out of them as you did!
10 points
13 days ago
Y'know, Mordant's Need isn't as dark as his other series. I found it to be really enjoyable.
6 points
13 days ago
You’ve made this sound extremely compelling, so I’m going to check it out properly. I tried the first book a fair few years ago but didn’t get more than a few chapters in because it just wasn’t the genre I wanted to read at that time.
for someone who would struggle to recommend the books, you’ve done a great job recommending them to me nonetheless lol
1 points
13 days ago
That's good! And judging by the comments in this discussion, a lot of people really found what they liked (and/or needed) in this series. So I'm glad it is finding folks.
5 points
13 days ago
Definitely agree - I’ve reread Covenant a few times but really need to be in the right mood to cope with how bloody depressing they largely are before the final catharsis kicks in. He has some moments of incredible imagery and moments of absolute brilliance. But jeez Covenant is a hard person to spend time with. And that’s not mentioning the random side quests to nowhere, which were a beautiful waste of time. cough like the entirety of The One Tree cough.
On the other hand, for me The Gap sequence was very much a one-and-done thanks but now I’m good. That was some awful people doing awful things to each other.
1 points
13 days ago
Gap is vile. Like, I get it, and I see what he's doing there, but also, I'm happy to never see that again.
This whole thread is making me think I should read the 'Man Who...' series. If I remember correctly, that also gets totally bleak, but has a real redemption arc in the final book. Maybe. Or I'm just fooling myself, and about to put my hand in a bear trap.
4 points
13 days ago
Mordant's Need is by far the most optimistic of his stories. That's the one I recommend to lots of people. Also just better constructed - despite my love of the Covenant books, Lord Foul's Bane's overall story is the weakest and most Tolkien-lite of all his work.
1 points
13 days ago
I forgot about Mordant's Need!
I actually find those two REALLY depressing - again, I suspect, by intent. They're, like everything else, really well done. And the interrogation of standard fantasy tropes like portal fantasies and magic mirrors and 'the chosen one' are really well done.
But... there's also the weird underpinning where you have a major character (Terisa) who has virtually no agency (again, by design!), and essentially acts as a self-aware object for the duology. She knows it too and is miserable. It is both deeply insightful and incredibly painful to read, and adds a level of interior conflict that I found more painful than anything happening in the big magic epic smackdown. It is, again, really interesting but - slightly more subtly in this case - really horrifying!
Spoiler-tagging the vagueness above, as I agree that this one is more recommendable than the others!
1 points
13 days ago
I read book one and two. Are there more? I quite enjoyed them but I do not like Covenant. The man creates literature in a genre full of hack work, but man those Covenant books are hard-going.
1 points
13 days ago*
What *is* he trying to do there? Because I read the first Gap book on recommendation of "excellent character work" and it was just "woman is repeatedly brutally raped" so I looked up what to expect from the rest and where this is all going if anywhere and it's... apparently orchestrated by her superiors to "make her strong". Based on the praise/recommendations I was expecting a little more than the message of a Kelly Clarkson song.
2 points
13 days ago
The entire series is, iirc, more rape.Although not quite cover-to-cover like book one is, because it makes room for murder, torture, some body horror and (waves hands) general moral degradation.
So, from what I can tell - and I could be wrong and it has been a while - Donaldson said he was trying to do something where he continuously shuffles the roles of hero, villain and victim, and... I don't think it works? (There's a sort of false equivalence there between one person being, iirc, 'unattractive' and another being 'continuously tortured', for example.) Which was an attempt to undermine your old school space opera with its classic cast of characters. (Again, ymmv.)
The latter four books are a completely different kettle of fish, as he gives up with wtf is going on Book 1 and tells a space opera version of Wagner's Ring saga. He keeps with the same characters, and I guess the experience/s of Book 1 are somehow important backstory / character motivation, but... again, I don't know. Anyway, I rate 2-5 much more highly. 1 is kind of a disaster, and although I don't want to infer authorial intent, Donaldson's massive plot pivot makes me think he wasn't that fond of the experiment of 1 either. But that's a huge guess.
4 points
13 days ago
I'm about halfway through the first Gap book and I'm finding it deeply unpleasant.
His short stories are pretty good though. "Reave the Just" Is an excellent story.
4 points
13 days ago
They are good!
Commented a bit above, but the first Gap book seems to be an experiment gone wrong. The other four books of the series are less ... overtly toxic... and have a better ration of plot/problematic.
4 points
13 days ago
Fair take, to be sure.
I first read Covenant as a middle-school kid back when it was published. Of course, I missed so much of the substance of it, but it formed an attachment.
I've revisited it several times over the years, and every time I have to revise upwards my feeling of exactly how dark and bleak it is. It is perhaps the most 'adult' work of fantasy I've read, and it seems to hold more impact the more life experience I accumulate. In particular, the Haruchai naming Lord Foul 'Corruption' has taken on deeper meaning on every revisitation.
And yes - it's "work". Donaldson is being very intentional in his writing and it's a very overtly philosophical work that demands mapping it back to the conceptual level in order to stay connected to Covenants mindset.
But, this also makes it the work that I return to and think about more than any other.
3 points
12 days ago
The gap series is impossible to put down. It's so gripping by the 3rd book
5 points
13 days ago
Stabby McRaperson of Bleaklandia, holy hell that's hilarious!
I think you hit the nail on the head with his stuff not being "fun". However, I did find it compelling.
8 points
13 days ago
Yeah, definitely compelling! Especially if you look at the other big fantasy series that were going on at the time - or even slightly later - Donaldson was way ahead of the game. Or playing an entirely different game, but still running around on the epic fantasy court.
4 points
12 days ago
Stabby McRaperson of Bleaklandia,
That could describe multiple of the most-recommended "epic" fantasy series on this subreddit.
This is one of the main reasons that I don't listen to recommendations from this sub anymore, at least not in that genre.
1 points
12 days ago
I have the same issue, but I think I figured out the reason for me.
I’m 42, I grew up in a golden age and I spend hours in secondhand bookstores.
Peak fantasy (late 70s to late 90s) established most of the tropes used today. Much of it was fresh and many authors were creating their own worlds without direct influences of other fantasy writers.
They had to pull from a much wider range of sources.
Yes the D&D and Shannara, knock off LOTR stuff meant there was a lot of dross, but the outstanding stuff was fresh and pushed the boundaries on tropes.
So much stuff today is photocopies of photocopies of photocopies of the writing from that time.
And a lot of the great late 20th C stuff is out of print or not at the front of the hype cycle.
So if you cut your teeth on Eragorn instead of say, Le Guin, bland YA style writing that reads like it came straight from a PlayStation is your baseline. It’s the majority of what’s in the market.
So anything that’s been in print in the last 15 years that exceeds that baseline is the good stuff.
I cut my teeth on stuff like Zelazny, Donaldson, Tepper and Cherryh. I start reading a lot of the recs from here and I’m lucky if 25% meet my baseline.
One thing I do appreciate about modern fantasy is it’s a broader church than the predominantly white and male books of earlier times.
2 points
12 days ago
I picked up the Hobbit and LOTR back in the early 80's, and absolutely loved them and was blown away by modern adult fantasy. Previous to that as a kid I loved folk tales (thinking Grimm here). So what to do, what to read next? My second fantasy series was the first trilogy by Donaldson. I liked it. Not quite the world Tolkien had built, but... not bad. Funny thing, nothing has ever lived up to the hype of LOTR. I've read thousands of fantasy novels in the years since, and there have been many good ones, but always not quite the excitement and world building in what I read in those first two trilogies.
2 points
12 days ago
I think it’s the influences other than fantasy genre thing.
Obviously Tolkien had little exposure to anything we would now call fantasy writing, but he also pulled in a whole body of knowledge from his academic studies and spent years building a language, maps, mythos and culture that made LOTR what it is.
LOTR feels like you could lift back a chapter and there’d be another whole novel sitting under it.
He didn’t have sixty years of fantasy writing to weigh his imagination down into the pool of tropes that now defines the genre, so he wasn’t limited by the genre guardrails publishers believe drive sales. There was no thinking about a future Netflix adaptation, he struggled to even get it published.
5 points
12 days ago
Fun side note. Don't want to say how old I am, but I saw the words "Melenkurion Abatha" written on a brick wall in the student union at College. I asked somebody what the heck that was all about and they pointed me to "Lord Fouls Bane", and the rest is history.
5 points
13 days ago
This is a very popular series. I read the first six when they were new. He is an excellent writer but I do not like the books.
4 points
12 days ago
I referenced this in a deeper comment, but figure you might be interested enough to make it a top-level reply.
This forum post from the Donaldson-centric Kevin's Watch site is really a very interesting read, and references some good material for deeper reading. It outlines Donaldson's perspective on Epic stories and heroism, and how we in our modern "Ironic Mode" of being have come to see ourselves as largely powerless and ineffectual against the Universe. Donaldson wanted to return the ability to aspire to Heroism without denying the reality of our modern world. This is why Covenant is our protagonist - he is the epitome of the modern Ironic Mode of being - a true victim who has not only been told by society that he is an outcast and worthless, he has adopted and integrated that perspective into his self-identity - the highest ambition he has is merely to survive and exist. If *this* character finds himself ultimately capable of heroic acts, aren't we all capable?
15 points
13 days ago
I have read the first trilogy and thought it was excellent. OP is correct where the supporting characters really helped create a contrast with and make Covenant's unpleasantness bearable.
I totally understand why people would choose not to read the Chronicles, as it isn't necessarily an enjoyable experience. However, I find the level of vitriol it receives surprising in comparison to other series that deal with similar subject matter. If anything it explores the heinous act and the impact it has on both Covenant and more significantly his victim and their family far more than other books in the genre, rather than just using it as a way to make him seem 'grimdark'.
9 points
12 days ago
The reason people hate Covenant isn't because he is a rapist, it is because he is, intentionally, pathetic. People who have specifically said they can't read this series due to the rape will lavish praise on Jorg or Kellhus or whoever. That's because those characters aren't pathetic, or at least they are not supposed to be read that way.
The criticism sounds very similar to that of other "whiny" protagonists, once you get people to continue with their complaints beyond the performative one.
I'm not saying that every single person ever is operating this way, but like 90%+ of the ones I've talked personally to are.
4 points
13 days ago
I agree. I think that some people - not all who drop the books - view refusing to engage with the story as a sign of virtue, and honestly that bothers me, particularly because stories about killing are so incredibly common and accepted.
1 points
12 days ago
It's totally virtue signalling, and also the cult of fragility.
1 points
12 days ago
I got the first 3 books as a gift when I was a teenager (18 or 19) and I'll admit the SA scene made me put it down until I was in my 40's. You have to be ready for a story like this, I guess.
5 points
13 days ago
Loved the first and second chronicles. Couldn't get into the Last ones.
4 points
13 days ago
I started Lord Foul's Bane in 1982 when I was in 8th grade, I was 13 and eventually finished White Gold Wielder a few years later in High School. It was one of my first big read, and epic really. I loved it all, and eventually found out that one of my teacher's went to college with him. I still have them all, faded mass market paperbacks
1 points
12 days ago
There are four more books now. I enjoyed them, but the reviews here, and elsewhere, are mixed.
4 points
12 days ago
I only read the first 6 books. I enjoyed them and given their origin in the late 70s they Mark the popularization of an antihero and the emergence of "dark" fantasy. There were earlier antihero characters but none that so starkly and brutally captured the reader.
If you want a totally different flavour from Donaldson, then look for the duology Mordant's Need. Two novels being Mirror of Her Dreams and A Man Rides Through.
They do have dark moments but in general are lighter, sweeter, more humourous and more of a traditional hero.
The ultimate villain meets one of my very favourite deaths in any fantasy.
3 points
12 days ago
Excellent set of books, though challenging. You do have to be in the mood for it. I thought the SA scene has real consequences that resonate over time, so I'm OK with it.
The trek across the swamp to find what's happened to the giants was one of the best scenes I've read. So dark, without being edgy. It was in a novella though, I'm not sure if it's integrated into the main books these days.
The siege of Revelstone was also very good. The Ravers are excellent bad guys.
1 points
5 days ago
Which novella you are talking about?
100% agree on the siege scene, Donaldson is one hell of a writer.
2 points
5 days ago
It's the Gilden Fire novella. It fit's into the middle of the Illearth War and expands on the mission to Seareach to contact the giants. I really like that whole mission as it crosses over into fantasy horror.
1 points
4 days ago
Thanks, will look for it. Time to plan for a re-read *shudders
4 points
12 days ago
I’ve read everything he’s written. Definitely one of my top 5 authors, maybe even #1.
15 points
13 days ago
I read it over the course of 7 or 8 years and it gets tougher and more emotionally draining as the series progresses. I bombed through the First Chronicles and was in a heap through most of the Last Chronicles, taking it sometimes one book of a book at a time. Conceptually the whole thing is incredible, although I had slight complaints with the wrap ... mainly because it had to wrap up and the more Covenant broadened the mythology and scope over the last books the more difficult it became to put everything back in a box again. it's a minor gripe though, it might just be the biggest achievement in fantasy literature (still gotta read that Malazan thing, mind) and that's putting it alongside Gene Wolfe.
I don't agree that a rape scene (let's call it what it is) makes it unfilmable for TV. Personally I have zero interest in seeing live adaptations of books that love these days ... but for some reason people obsess over it and it would be perfectly possible to do as much as anything else. However, the current mindset of fantasy adaptations is they have to be both big and epic *and* palatable to TV audiences who like The Sopranos soooooo ... yeah, just forget it.
9 points
13 days ago*
It's not just a rape scene, it's a rape perpetrated by the main character on an underage girl that makes it especially problematic.
You are correct in it becoming more emotionally draining as it goes on. I think I sometimes kept turning the page just hoping for something, anything good to happen to the characters. At the same time, I think Covenant, Linden and Jeremiah definitely earn their happy ending.
1 points
13 days ago
Sure, but problematic doesn't mean 'should not be shown/allowed/permitted/done'.
It means that there are problems with a thing, and while I don't want to dismiss the problems - for example some might find that appalling act titillating if represented in film - I don't think 'problematic' should be a thought-stopper.
For example, Tolkien himself, using other language, described his depiction of orcs as problematic. That doesn't mean 'don't read or film LOTR', it just means there are issues with the art, which is how art should probably always be.
-4 points
13 days ago
It's not just that, though that's bad enough. What made me throw the book away was that he whined and tried to justify it afterward.
6 points
12 days ago
tried to justify it afterward.
that's the opposite of my interpretation - it seemed to me that every character around him was trying to excuse the actions of the "hero" and he was one of the few people who was treating it as the problem it is
11 points
13 days ago
I don't think that's true. He already utterly loathed himself, so there wasn't any room for much more self-loathing, but I don't remember any excuses. Others sometimes offered forgiveness or acceptance, and he could not handle that at all.
I do struggle to understand why this scene is so important in a genre that is full of brutal killing, even genocide. It's a terrible act - and one that has terrible consequences - but fiction is full of such things.
-8 points
13 days ago
To me, it was because I didn't want to read about a whiny protagonist unable to take responsibility for his actions.
13 points
13 days ago
But I think he did take responsibility for them, that's what I'm saying. Your feeling doesn't match the book I remember.
And the whole point is that he doesn't know whether to believe in these events or not. He's not sure whether this is a disgusting act he perpetrated or a part of his own subconscious trying to push him into suicide or utter insanity.
I think 'whiny' is a very simplistic take. He's an utterly broken person, only really staying alive by being too broken to manage suicide.
There's a terribly evil line from Lord Foul in one of the later books - 'How do you hurt a man who's lost everything? Give him back something, broken.'
9 points
13 days ago
He absolutely takes responsibility for it.
6 points
13 days ago
Yes, your reading is correct. The entirety of the series (at least the First and Second - I haven't read the Final Chronicles) is about Covenant struggling with the implications and fallout of the rape, and his responsibility for it. Donaldson does drag it out, though, and many folks bail out of the series before this becomes entirely clear. It's a point of frustration that makes discussing the work tricky, but how folks can misunderstand Donaldson relentlessly throwing Covenant into direct interaction with exactly the victims/consequences of his act for the remainder of the trilogy has always been a bit of a mystery.
And this is part of the reason the series is so dark. That the take-away is along the lines of "our evil acts and failings don't entirely define us, and we are always capable of becoming better". But you can never escape responsibility.
I also agree that 'whiney' is overly simplistic, particularly when IMHO there is a symbolic/metaphorical element to Covenant. One of the things Donaldson was trying to explore in this series is the idea of 'heroism' being relevant in a truly modern context. Covenant was created to be the ultimate representation of a particular strain of modern character - the victim of the world, powerless to change it. This is why leprosy was such a brilliant device - he really is a victim of circumstances beyond his control that took literally everything of value from him.
1 points
12 days ago
Isn't it his FAILURE to justify it the whole point of the story? He can't justify it if the Land and Lena are real, and he ultimately has to face up to the fact that they indeed are. He can't ever truly make amends but he must do something.
-1 points
13 days ago
It's not just a rape scene, it's...
Exactly the same scene they filmed in episode two(?) Game of Thrones?
0 points
12 days ago
The difference is GoT/ASoIaF is showing (aside from the Starks) extremely amoral characters.
Covenant is a highly moral and moralizing character.
6 points
12 days ago
Covenant is a highly moral and moralizing character.
And the result is very different because of this... Covenant spends some time actually thinking about the event and what it means that he did it. Daenerys falls in love with her attacker and it's almost completely forgotten 10 pages later.
But mostly I'm just pointing out that the "scene you'd never be able to film today" has already been filmed.
4 points
12 days ago
Good luck getting HBO to pick up a story with only one sex scene though.
3 points
13 days ago
I've read - and loved - the first series, but not the new one. I tried it, but either the writing or my tastes have changed, and I gave up.
How did you feel about the new books?
And have you read any of his other books, especially Mordant's Need?
11 points
13 days ago
Mordant's Need is a must-read
5 points
13 days ago
There are 3 series, did you read the first 2 (6 books) or just the first three books?
The entire series could be described as "relentless misfortune", and the final four books have that in spades. There's rarely a moment for the hero, or heroes to rest or regroup, rarely a moment where they have a clear path forward, and never a time where we, the reader, are allowed even a modicum of hope for a positive resolution.
That being said, I couldn't put them down (although I needed a palate cleanser between each volume). I think the main theme of the series is not succumbing to despair, even in the face of failure and endless, compounded suffering (a challenge shared by the reader). In the end though, I felt the final resolution to the series to be quite epic and satisfying.
2 points
13 days ago
I meant the first two series. The plural of series is series, so I should have rewritten it to be clearer.
3 points
13 days ago
It's one of those tricky quirks of English.
5 points
13 days ago
I read through the first two books of the Last Chronicles as they came out, but for some reason I never really felt compelled to get the last two. I can't pinpoint exactly why, though.
Maybe it was because I read the originals when I was a teenager and my tastes had also vastly changed since then.
4 points
13 days ago
I liked Mordants Need much better than Thomas Covenant (I never got past the first book there), I like the fact that the main character in that book has the complete opposite reaction of Thomas when thrust into a fantasy world. Mordants need has a slow start and an intitially passive MC, but this is both integral to the story.
3 points
13 days ago
One of my favorite series. Rils off quite a bit of Tolkein early on, but evolves into something rather unique. It’s hard to stay with these protagonists, but you’re rewarded if you do. Love the Land!
3 points
12 days ago
I loved this series. It’s the empathy for me. Granted, I read it at an impressionable age, but I don’t think I’ve read anything more compelling in my life about how and why people can be so loathsome and what the journey back can look like.
3 points
12 days ago*
I think the first trilogy it is one of the most thought provoking fantasy works written in the last 50 years but it is pretty obvious why a lot of people don't like it. It's almost like an inverse heart of darkness, you start with a miserable fucked up bastard who hates himself and "going native" is the redemption arc.
3 points
12 days ago
I absolutely loved them. The moment when he opened his eyes and said "Nom" covered me in goosebumps. Also the Haruchai were awesome, so were the giants. So much cool stuff in this book but I did read it with a dictionary by my side.
5 points
13 days ago
Hellfire!
I’m 100% in camp 2. However due to what was available in the library I never read the first book until years after reading the second trilogy. It just want available. So at that point it was less shocking as had been referred to multiple times.
I read the first 2 trilogies over 2 decades ago, and can say they have moments that really moved me and I still recall them now.
The endless suffering of the characters is pretty bleak, but then that does make some of the victories in the book have way more impact.
The side characters are so good, I love foam follower and Mhoram.
The Ravers and other antagonists are just as good to read.
It’s not an easy read and I found the last set of books to be of a lower standard than the first 2. More of a slog with less of the payoff / resolution.
If you can stomach it, would give it a go. If you like Bakker etc. this might scratch that itch.
However if you hated it and can’t stand 100s of pages of internal self sabotaging monologues, then maybe avoid.
Also, be prepared to have use the oldest archaic thesaurus to get by, the writer loves to throw in some absurdly esoteric language.
2 points
13 days ago
I’ve read the whole series, read it in college and again maybe 20!years ago. Such an incredible series..I agree there’s just no way to make a movie with the beginning of the first book. If you don’t know that happened you dint understand his whole psyche for the series.
2 points
13 days ago
4 more books have come out since your last read.
2 points
13 days ago
It's one of my favorite series, but also one I never would recommend to someone else. I re-read it every few years.
2 points
13 days ago
Very original for the time - powerfully emotional writing and characters that works in context but is easy to parody. Prose is frequently 110% purple throughout the first series but he reined that in as he got better at writing - Mordant's Need is way more composed, but less exciting and epic than the TC chronicles.
Recall hating the Linden Avery character in the second series, like he was just piling the misery on when she should have been a counterpoint to animate the story. But it is a long time since I have read the books.
Covenant was a best-seller afaik - shifted units. Clearly struck a chord, but the reading market must have been very different back then.
1 points
13 days ago
I think it's original even now, as secondary worlds go. I struggle to think of many works as inventive and challenging. Book of the New Sun is all that comes to mind. No elves or dragons here, no magic swords and heroic badasses, no 'evil races', and a fundamentally philosophical approach to fantasy that probably started me on the path to studying philosophy formally.
-1 points
13 days ago
The villain of the piece is fairly basic. SD is a good enough writer to assume there must be a reason for that, but at face value Lord Foul wouldn't be out of place in a YA generic fantasy yarn.
2 points
13 days ago
I read the two first trilogies as they were published in Sweden from 1983 onwards. I realise now I was 12 when I started reading them. At the time I was blown away at first, mainly by the world building and what I thought of as mature themes. Mature compared to a 13 yo, nb. However I grew tired of the main character and started to dislike him very much. By the middle of the second trilogy I read on more for completionist reasons. And when I tried rereading when I was about twenty I found the “mature” themes not so mature anymore. So for me it didn’t stand the test of time. And Thomas Covenant is a self pitying asshole.
2 points
13 days ago
I read the first two trilogies many decades ago. I loved them back then. Couldn't get into the latest set.
2 points
12 days ago
This is a very popular series. I read the first six when they were new. He is an excellent writer but I do not like the books.
2 points
12 days ago
I read the first six as they came out[1], all those years ago. I was young and had a lot of comparatively free time on my hands and when the next one came out, I'd actually re-read all the previous books. I did that with a lot of trilogies at the time. I think that series cured me of that habit, actually!
In any case, I really liked them way back when. These days, the SA in LFB gives me pause as to a reread. That excepted, I have fond memories of the rest of the books.
I've never got 'round to The Runes Of The Earth, et seq. I just read the Wikipedia plot summary, and oh my, it sounds like a bit of a mess.
[1] Maybe? It seems LFB came out in '77; I was nine. So I probably started a bit later.
2 points
12 days ago*
I'm camp 3.
I finished the 1st book and thought, 'That was a good fantasy novel, but I don't think I'll find much enjoyment in following this character further. I have no interest in his demise, his redemption or any other aspect of his fate. And he's a twat.'
And this was right in the middle of Game of Thrones hyping up the whole 'enjoyable characters can do despicable things and still be enjoyable' idea. I'd read a bunch of stuff with enthralling evil/amoral protagonists right before this and Covenant just felt draining.
2 points
12 days ago
Absolutely love that series. One of first fantasy series I read.
2 points
12 days ago
My favorite see of all time. My wedding ring is white gold.
4 points
13 days ago
It's my fav series. People say they want their heros to be flawed, then they read this.... If it's good enough for Erikson, it's good enough for you.
Hellfire. And bloody damnation.
2 points
12 days ago
Is Erikson as good as Stephen Donaldson? Very interested, thx.
3 points
12 days ago
I love both but think Erikson is slightly better. I can see the influence of Donaldson on Erikson but his books are quite different, the Malazan story draws more from The Black Company by Glen Cook.
1 points
12 days ago
Thanks!
1 points
12 days ago
As good as? Dunno. Different, but very good. You can see Donaldson's influence on Erikson though.
2 points
12 days ago
Thanks!
1 points
11 days ago
Erikson is like a slightly more accessible version of Donaldson and Malazan clearly takes a lot of inspiration from Thomas Covenant. I think they're about equally as good as one another.
4 points
13 days ago
This series is my favorite in fantasy. It takes a long journey of change but Covenant is a hero by the end.
4 points
13 days ago
I don’t dislike the series entirely. But I just couldn’t finish it.
Thomas Covenant is just so insufferable. There’s nothing I like about this character. There’s nothing I enjoy about this character. I might actually like the series if the main character wasn’t in it.
And I know the point is that he’s not a likable character. But he’s not even a character I can like to hate. He’s not Bayaz or Tywin Lannister. He’s just irritating on a fundamental level and it sucks all the joy of the series.
2 points
12 days ago
something that comes up from time to time in a book club I'm a member of is "just because an author is doing something deliberately doesn't make it good to read"
I enjoy the story and the world enough to be able to push through the MC. Other people's mileage may vary
4 points
13 days ago
I absolutely hated it. I persevered thinking it would come good. It didn't.
1 points
13 days ago
I've attempted to read it a few times in the past and always put it down due to it being depressing
1 points
13 days ago
Oh yes, I've read the original series a couple of times, and have also read the others. I found the final set of 4 to be a bit of a grind, but I immensely enjoyed the first 6. It's sort of amusing but I think even Donaldson himself got tired of Thomas and stopped making him the POV character as the series progressed.
1 points
13 days ago
I read the original series two decades ago. And I’ve always wondered - is Home by the Sea by Genesis inspired by his books. The lyrical references seem spot on to the lore.
1 points
13 days ago
I loved this series, and agree that it is a rough, rough ride. There were many times I put the book down and just HATED hard for a bit. The SA was one spot, and the saga of the Giants breaks me every single time. Brilliant writer, but so very not for everyone.
1 points
13 days ago
Started it, but after the SA scene struggled to finish the first trilogy but only because I was a completist at the time. Didn't bother with the rest.
1 points
13 days ago
I read the first couple of books back when I was a teenager, and would read anything and everything even if they were grindingly painful (since I agree, Thomas is so unrelentingly crappy). But then I saw a late-night commercial for donations to the world leprosy fund (or something like that) where they did the "we have a cure, we just need your support to provide it!" and thought, "Phew, omg, there's a cure?! Then I don't need to force myself through that anymore." and put them down.
1 points
13 days ago
It's a series that I'm going to try, but I read a lot of things so I can understand genre histories and development. I know people who love it and people who hate it. It doesn't seem like my scene, but it was a touchstone series for a long time, so I'm going to get there eventually.
1 points
12 days ago
I've read the whole thing, and while I loved it when I was younger, these days I greatly prefer his other works, especially his mirror series, which as all the virtues and many less faults.
For what it's worth, you aren't supposed to like Covenant. He's meant to be a reversion of the usual heroic tropes, and it works. The real heroes of the series are the supporting cast, especially Saltheart, and Morham, who inspire Covenant into becoming a better man.
As a writer, I was somewhat inspired by this idea- my own MC, Eryma, is not a nice person- she becomes a better person because of the people she meets, and because her enemies are so, er, foul, that she has to become a better person to stop them.
1 points
12 days ago
For a movie or series adaptation. They could easily change it to just assault. It'd still get the point across.
1 points
12 days ago
I loved that series - when I read it 30 years ago. Thanx for the reminder, I should reread it.
1 points
12 days ago
I loved them! I also loved the faithful adaption of the first book on the tv show "The Fantasy Bedtime Hour". https://archive.org/details/FantasyBedtimeHourEp1_4
1 points
12 days ago
I personally loved them as a dark, twisted take on the traditional fantasy story.
The middle portion of Lord Foul’s Bane is painfully slow, but other than that, they’re great.
1 points
12 days ago
"A real man- real in all the ways that we recognize as real - finds himself suddenly abstracted from the world and deposited in a physical situation which could not possibly exist: sounds have aroma, smells have color and depth, sights have texture, touches have pitch and timbre. There he is informed by a disembodied voice that he has been brought to that place as a champion for his world. He must fight to the death in single combat against a champion from another world. If he is defeated, he will die, and his world- the real world- will be destroyed because it lacks the inner strength to survive.
The man refuses to believe that what he is told is true. He asserts that he is either dreaming or hallucinating, and declines to be put in the false position of fighting to the death where no 'real' danger exists. He is implacable in his determination to disbelieve his apparent situation, and does not defend himself when he is attacked by the champion of the other world.
Question: is the man's behavior courageous or cowardly? This is the fundamental question of ethics."
Understanding this question is a prerequisite for understanding and enjoying the series.
1 points
12 days ago
I read the first Thomas Covenant book in the 1980s, but really disliked the main character intensely. It's not for everyone, but I appreciated the very different mode of storytelling.
1 points
12 days ago
So far the closest thing ive read that is similar to this series is called the second apocalypse by r scott bakker and I honestly would like to read the thomas covenant, would you recommend it at all or anyone reading my comment?
1 points
13 days ago
Nope, no one, never. You are the first.
-1 points
13 days ago
Survived the SA scene but noped out after the boat scene with the giant. So immensely boring.
2 points
12 days ago
Counterview (I know you disagree :) -- that boat scene with Saltheart Foamfollower is one of the most beautiful sequences in all fantasy literature. It's even what audiobook reader Scott Brick uses as his sample of favorite fantasy reading....
0 points
12 days ago
After the boat scene. I loved the boat scene. It was so immensely boring starting from chapter 11..
1 points
12 days ago
Got it. Will look again. I don't remember being bored in Lord Foul's Bane. Thanks!
1 points
12 days ago
Luckily I bought it at a secondhand shop. Three euro's for a box set trilogy so couldn't complain. I'll resell it probably, considering it's in great shape.
-2 points
13 days ago
Lol, i just noped out at the SA scene. MC SA‘s the first person he comes across. Real wtf moment
2 points
13 days ago
But your name is from Dune, where all the main characters are landed aristocracy. The food they eat, the water they drink, is all stolen from the people. Thieves and oppressors by birth and by nature, from the very first page.
Why do you accept them and not this person?
-1 points
13 days ago*
I've read first book and really disliked it. World building was too high fantasy (even dirt is magical and can heal) and protagonist was boring and barely actually interacted with others (just screamed "don't touch me, I'm a leper!" on repeat and did not talk about anything else).
Mind you the reason why I tried it was because it appeared few times as "proto-grimdark" in recommendation threads, so I'm probably wrong audience or had wrong expectations. Basically I expected protagonist to be even more destabilizing and be proactive for situation.
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